I’ve seen the movie Inception twice now and decided to try my hand at writing a movie review about it. Let me start off by saying I really enjoyed the film not only for the incredible visuals and action but also for the complexity and depth of the story. I’ve heard many people try to say this is just a new Matrix but I’m sorry, The Matrix this is not.
Christopher Nolan (Memento and The Dark Knight) came up with the idea for Inception nearly 10 years ago. Unlike James Cameron who spent a couple of days writing the script of Avatar and 10 years developing the technology to actually film it, Nolan spent much of the last 10 years working on improving his directorial skills and fleshing out a deep and intricate story. All I can say is thank you Christopher for taking your time to not only prepare the story, but yourself for this phenomenal achievement in film making.
I don’t want to get too deep into the story because I could easily spoil it for anyone who hasn’t seen the movie yet. Instead I’ll just stick to the basics. Inception centers on a team of individuals led by an “extractor” named Cobb (Leonardo DiCaprio) who, through the use of a special device, construct the dreams of a target and use those dreams to implant an idea so that the target will make a decision beneficial to the individual who hired the team. To say that scratches the surface would be an insult to both scratches and surfaces. But since it takes Nolan about fifty minutes to set everything up, I hope you’ll forgive my brevity.
You also heard me correctly, the first 50 minutes of the movie is spent setting up not just the story and characters but also all the concepts, terms and roles that form the foundation of what is an exhilarating final hour and a half of the film. Don’t get me wrong, there are great action pieces during those first 50 minutes but don’t come to this film expecting to shut off your brain for 2 and a half hours, you need to pay attention to the set up if you want to fully enjoy the payoff.
The characters are developed not through long monologues about their past or even (with the exception of DiCaprio’s character) delving into their dreams and memories. We learn about them how they interact with each other. The cast itself is very strong compared to most “blockbusters”. DiCaprio will probably take some heat for playing a similar character to the one in Shutter Island but who cares; he nails the tragic, brooding figure with serious guilt issues.
I’m hoping two of the film’s other stars, especially Joseph Gordon-Levitt (3rd Rock from the Sun and 500 Days of Summer) and Tom Hardy (Rock n Rolla) have their careers take flight after Inception. Gordon-Levitt who has usually played nerdy losers is a total bad ass this time around. I will even go so far as to say he’s involved in one of the greatest fight scenes I have ever seen put to film. They show a small clip of the scene in trailers and previews but those clips do not do it justice. Think Matrix fight scenes without the CG and crappy acting by Keanu Reeves…
At the center of the film is DiCaprio’s relationship with his wife Mal, played by Marion Cotillard (Public Enemies). I’ve seen reviewers say the film has no heart but I would have to disagree. It’s their relationship that inevitably pushes the film towards its unbelievable ending and without it Inception would be just another CG-ified summer action flick.
The physical scope of this movie is astounding. Worlds fall on top of each other, a freight train can burst onto a city street, hotels can lose all gravity, and everything that we know is impossible appears completely natural. It’s not enough to say that the cinematography is gorgeous, or that the sound design is sensational, or that this is one of composer Hans Zimmer’s all-time best scores. There aren’t “supporting” elements in Inception. Just as the film layers its narrative structure and thematic subtext, so it does with its technical elements. You will notice the cinematography and the art direction and the sounds and the score. It’s like hearing beautiful solos mixed together in a glorious anthem.
As I mentioned towards the beginning of my review, Inception is not The Matrix but the comparisons are inevitable. Both movies deal with the nature of reality combined with unreal set pieces that helped to raise the bar in terms of what’s expected out of Hollywood action scenes. However, The Matrix is only a children’s book when compared to the award winning novel held by Inception. It’s about taking multiple genres, settings, ideas, emotions and questions, then weaving them into a rich tapestry that will have folks talking long after the credits roll. Add the incredible special effects and you have a summer blockbuster that will warp and bend your mind before finally blowing it out of your head.
